By Geraldine Brodie,Emma Cole
Translating for functionality is a tough – and hotly contested – job.
Adapting Translation for the Stage offers a sustained discussion among students, actors, administrators, writers, and people operating throughout those limitations, exploring universal topics and concerns encountered while writing, staging, and learning translated works. it truly is organised into 4 elements, each one reflecting on a theatrical style the place translation is often practised:
- The position of Translation in Rewriting Naturalist Theatre
- Adapting Classical Drama on the flip of the Twenty-First Century
- Translocating Political Activism in modern Theatre
- Modernist Narratives of Translation in Performance
A variety of case reviews from the nationwide Theatre’s Medea to The Gate Theatre’s Dances of Death and Emily Mann’s The apartment of Bernarda Alba shed new mild at the artistic strategies inherent in translating for the theatre, destabilising the literal/performable binary to signify that variation and translation can – and do – coexist on level.
Chronicling the various attainable intersections among translation idea and perform, Adapting Translation for the Stage deals a distinct exploration of the strategies of translating, adapting, and moving paintings for the theatre.
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Adapting Translation for the Stage (Routledge Advances in Theatre & Performance Studies) by Geraldine Brodie,Emma Cole